At Studio Molière
Events, concerts and films : save the date !
Tuesday 10 December — 6.30pm
L’Histoire d’Adèle H by François (1975) — Film evening at the INSTITUT FRANÇAIS D’AUTRICHE
In 1863, Adèle Hugo, daughter of the famous writer, arrives in Halifax, Canada, alone and under a false name. It is soon discovered that she is looking for Lieutenant Pinson, with whom she is deeply in love but who rejects her advances. The film follows her long wanderings in love, which lead her to the brink of madness. Running time: 1h 35 min French, English subtitles
Friday 13 December — 7.30pm
Pages Célèbres “Paris s’amuse” — LA CHAMBRE CONCERTANTE WIEN
This concert, the third in the ‘Paris s’amuse’ serieswill give you the chance to (re)discover the great works of French orchestral music by Bizet (Carmen), Fauré (Pavane), Debussy (Petite Suite) and Saint-Saëns (Danse macabre). It is supported by STAFE (Soutien au tissu associatif desfrançais à l’étranger), set up by the French Ministry of Europe and Foreign Affairs.
Vocal preparation for the public from 6pm to 7pm at the Studio Molière (free).
08, 12 and 15 December — 7.00 pm
The Nutcracker, Ballet in 2 acts — ATTITUDE BALLET VIENNA
Discover the enchanting world of ‘The Nutcracker’ presented by Attitude Ballet Vienna! Join us for a captivating two-act ballet set to the timeless music of P.I. Tchaikovsky and exquisite choreography by our Artistic Director, Laura Cristinoiu. Follow Clara and her magical Nutcracker as they come to life, confront the Mouse King and embark on a wondrous journey to a captivating realm where they take part in dances from around the world. Watch the spellbinding interpretation of Sugar Plum’s iconic Pas-de-deux by the Wiener Staatsoper’s talented soloists Gaia Fredianelli and Junnosuke Nakamura. This year, professional dancers and our dedicated students come together to create a truly magical experience for the festive season.
28 and 29 January 2025 — 7.30pm
Spielraumverengung — Die Resozialisierung der Menschheit — Concert — TONVOLL
What direction should humans, society and the world take? This is the question posed by linguistic acrobat Bernhard Listabarth in the libretto for SPIELRAUMVERENGUNG. In this play, almost no stone is left unturned. People sing, talk and dance at breakneck speed. Life plans that are critical of consumerism are called into question here, as are all other human reactions to crises of all kinds. Audiences will leave SPIELRAUMVERENGUNG more thoughtful than they might expect from a musical.